From his early days in Memphis where he played in his father's church choir, veteran saxophonist
drew inspiration from the rich musical traditions of that city, including gospel, R&B, blues, and eventually jazz. He received a scholarship to attend music school at Texas Southern University, where he formed a band in 1979 and began playing shows on the local club circuit. When he opened for
.
, in 1985. That album (as well as the next two, 1988's
, continuing the musicians' fruitful partnership. The early '90s saw
in 1995 -- each of them earning the saxophonist increased commercial attention and critical praise. Later, a duet with
his first Grammy nomination.
In 1997,
Whalum jumped labels to sign with Warner Bros. His first solo album on Warner's tab,
Colors, was released that same year, and perhaps more than any other album, showed
Whalum's ability to synthesize music from a variety of sources to produce a fusion of pop, jazz, and R&B. The following year,
Gospel According to Jazz, Chapter 1 exhibited his ability to return to the music of his childhood stylistically, while also pursuing the kind of spiritual depth that has a long history in jazz, echoing artists like
John Coltrane in taking advantage of the saxophone's unique expressive qualities. The decade also brought
Whalum an amazingly diverse series of session and touring jobs, working with artists like
Whitney Houston,
Babyface,
Yolanda Adams,
Take 6,
Bebe & Cece Winans,
Barbra Streisand,
Edwin Hawkins,
Quincy Jones,
Kevin Mahogany,
Al Green, and
Luther Vandross. In addition to his solo albums,
Whalum worked on a number of film scores, including those for The Prince of Tides, Boyz in the Hood, Grand Canyon, and Cousins. His sax solo was featured on
Whitney Houston's wildly popular single "I Will Always Love You," on the soundtrack for The Bodyguard.
The fan base that
Whalum had been building throughout the '80s and '90s exploded with his 1998 release,
For You, which spent nearly two years at the top of the Billboard Contemporary Jazz Chart and yielded four Top Ten NAC hits. His self-produced album, 2000's
Hymns in the Garden, made a much quieter impact but was critically acclaimed, even earning
Whalum a second Grammy nomination. Also in 2000,
Whalum recorded again for Warner Bros. and released
Unconditional, his third album for the label.
Unconditional returned to the contemporary jazz style that had marked his early releases, with a few unexpected covers, including versions of
Macy Gray's "I Try" and
*NSYNC's "God Must Have Spent a Little More Time on You." "Can't Stop the Rain," a song written and sung by
Shai, is the only other song on the album not composed by
Whalum. Since 2001,
Whalum has released four studio albums, including his second volume of gospel songs,
The Gospel According to Jazz: Chapter 2, and
Kirk Whalum Performs the Babyface Songbook, released on Rendezvous Music in 2005. In 2008,
Whalum released
Promises Made, a benefit album for the Millennium Project dedicated to the relief of hunger, disease prevention, and economic development in Africa. In 2010,
Whalum issued
The Gospel According to Jazz: Chapter III. This volume included appearances by
George Duke,
Lalah Hathaway,
Bishop T.D. Jakes, and
Kevin Whalum, among others.
Whalum was made President and CEO of the Stax Museum of American Soul Music later in the year, and in August, he released Everything Is Everything: The Music of Donny Hathaway, his second album of the year on Rendezvous Music.
–
Stacia Proefrock, Rovi