Although also a recording artist in his own right,
Rupert Hine earned perhaps his greatest recognition as one of the most successful and prolific producers of the synth pop era. As half of the duo Rupert & David, he made his recording debut at the age of 16 with the 1965 single "The Sound of Silence"; it was not a success, and so he maintained a low profile until 1971, venturing out as a solo performer with the LP
Pick Up a Bone. After issuing his second solo effort, 1973's
Unfinished Picture,
Hine turned to production with
Kevin Ayers'
Confessions of Dr. Dream. In 1976 he began fronting the trio
Quantum Jump, debuting that year with a self-titled album and releasing the follow-up
Barracuda a year later. Around 1978 he began accepting more and more production work, helming albums from
Anthony Phillips,
the Members, and
Camel, guiding the latter to their most commercially successful effort,
I Can See Your House from Here.
Returning to solo work with 1981's
Immunity,
Hine also found success producing
Saga's
Worlds Apart and
Chris de Burgh's
The Getaway. His breakthrough year was 1984, when he helmed
Howard Jones' smash
Human's Lib as well as
Tina Turner's comeback smash
Private Dancer; the subsequent success of
Jones'
Dream into Action and
the Power Station's self-titled debut confirmed
Hine's status as one of the hottest producers around. Under the guise of
Thinkman, he returned to solo work in 1986, reuniting with
Turner that same year for
Break Every Rule, and in 1987 he produced
the Thompson Twins'
Close to the Bone, followed in 1989 by
Stevie Nicks'
The Other Side of the Mirror. At the same time
Hine also began working with
Rush, producing their LP
Presto as well as its 1991 follow-up,
Roll the Bones. In addition to the 1995 solo effort
Deep End, he also produced
Duncan Sheik's acclaimed 1996 debut.
–
Jason Ankeny, Rovi