neo-shock rock, and rap-metal helped make them one of the most popular bands in the so-called nu-metal explosion of the late '90s. But even more helpful was their theatrical, attention-grabbing image: the band always performed in identical industrial jump suits and homemade Halloween masks, and added to its mysterious anonymity by adopting the numbers zero through eight as stage aliases. Add to that a lyrical preoccupation with darkness and nihilism, and an affectionately insulting name for their fans ("Maggots"), and
Slipknot were formed in late 1995 in the unlikely locale of Des Moines, IA; after some early personnel shifts, the nine-piece lineup settled around (in order from number zero to number eight): DJ
Sid Wilson, drummer
Joey Jordison, bassist
Paul Gray, percussionist
Chris Fehn, guitarist
James Root, sampler/programmer
Craig Jones, percussionist
Shawn "Clown" Crahan, guitarist
Mick Thompson, and lead vocalist
Corey Taylor. The music scene in Des Moines wasn't much to speak of, and the band's big-time ambition was usually met with disbelief and ridicule, which provided the initial spark for its mostly anonymous stage visuals. On Halloween 1996,
Slipknot self-released an album called
Mate. Feed. Kill. Repeat., which began to build a buzz around the group once it found its way to several labels. It was picked up for distribution by the Nebraska-based -ismist label, and also caught the attention of Roadrunner Records, which signed
Slipknot in 1997. Working with producer
Ross Robinson,
Slipknot recorded their official, self-titled debut album, which was released in 1999. They gradually built an audience through near-constant touring, working their way up to the summer Ozzfest package tour, which really expanded their audience. Their live shows were a much-discussed hit with metal fans, and the band performed with such energy that
Crahan gashed his head open on his own drum kit twice that summer, requiring stitches both times. The tracks "Wait and Bleed" and "Spit It Out" got the band some airplay, but most of the buzz came from touring and word of mouth. Finally, in the spring of 2000,
Slipknot was certified platinum; the first such album in Roadrunner's history.
The anticipation for
Slipknot's follow-up was intense, and many industry observers predicted that it would debut at number one; however, faced with some stiff competition that week, the band's sophomore effort,
Iowa, bowed at number three upon its release in 2001. More heavy touring followed, including another, more prominent slot on that summer's Ozzfest. After a long spell on the road,
Slipknot took a break while the members worked on side projects. The band set up its own label, Maggot Recordings, and signed a band called
Downthesun, whose lead singer had served as
Crahan's drum technician.
Wilson, meanwhile, began DJing solo under the name
DJ Starscream, and
Root and
Thompson both worked on solo material. Drummer
Jordison worked with a side group called
the Rejects, where he'd actually served for quite some time as guitarist.
Taylor, meanwhile, started a side band called Superego, and also contributed a solo song, "Bother," to the soundtrack of the 2002 blockbuster Spider-Man. That May, the band got some amusing press when some of its fans discovered the website of a British crocheting group also called "Slipknot," and flooded the members' in-boxes with excessively rude e-mails.
Guitarist
Joey Jordison and
Static-X guitarist
Tripp Eisen teamed that summer for the
Murderdolls project, while
Taylor re-formed his old band
Stone Sour and released an album. By the winter,
Slipknot had still not reunited and
Taylor wrote a commentary on the band's website stating that they had not spoken in months, and that they'd rather break up than become "the next
Gwar." The statement sparked a quickly resolved mini-feud between
Taylor and
Gwar frontman
Oderus Urungus. but it also sent many of the Maggots into a tailspin. By early 2003,
Taylor had retracted his comments, and announced plans for a new
Slipknot album. That August the entire squad decamped Iowa for L.A., where they began work on the new record with producer
Rick Rubin. "Pulse of the Maggots" appeared in early 2004 as an exclusive download; it was followed by a full track listing for
Vol. 3: The Subliminal Verses.
Slipknot then embarked on a brief tour as a warm-up for their dates headlining Ozzfest that summer. (The group also debuted a fully redesigned third generation of their famous masks.)
Subliminal Verses was released in May 2004. It peaked at number two on the Billboard 200, and the band toured steadily for the next year and a half in support. They released a two-disc live album in November 2005, followed by a slew of side projects (
Taylor and
Root formed
Stone Sour, while
Jordison sat in with
Ministry and
Korn) before releasing their fourth full-length album,
All Hope Is Gone, in 2008.
Slipknot made a number of festival appearances during summer of the following year, and also embarked on their
All Hope Is Gone world tour. On May 24, 2010, the body of bassist
Paul Gray was discovered by a maintenance worker in an Urbandale, IA, hotel room; he was 38 years old at the time of his death.
Two years after suffering the tragedy of losing Gray, the band released their first compilation. Spanning thirteen years of output, Antennas to Hell: The Best of Slipknot brought together the best studio cuts from Corey taylor and co., along with a selection of bonus material, including their full performance at 2009's Download Festival.
–
Steve Huey, Rovi