Credited as "an articulate and compelling soloist who has developed his own voice within the tradition of
Montgomery,
Burrell, etc.," jazz guitarist
Bobby Broom was born on January 18, 1961, and raised in New York City. Introduced to jazz at early age (via
Charles Earland's 1971
Black Talk),
Broom took up the guitar shortly thereafter, resulting in playing in off-Broadway productions, gigs with
Charlie Parker alumni pianists
Al Haig and
Walter Bishop, Jr., and an invitation to join
Sonny Rollins' band (he had to turn down the latter, choosing to listen to his parents' advice and complete high school before pursuing music full-time). After attending the renowned Berklee College of Music in Boston,
Broom returned to New York, where he worked with
Art Blakey's Jazz Messengers, trumpeters
Tom Browne and
Hugh Masakela, and pianist
Dave Grusin before issuing his first solo album, 1981's
Clean Sweep.
In 1982, several years after his initial invitation from
Sonny Rollins,
Broom would rejoin him to work with the jazz legend for five years of touring and the recordings
No Problem and
Reel Life. In 1987,
Broom worked with
Kenny Burrell in his
Jazz Guitar Band and recorded
Generation live at the Village Vanguard for Blue Note Records. That same year he was also invited to join
Miles Davis' band, which lasted for a handful of performances.
Broom relocated to Chicago in 1984, where he would eventually form his own trio and co-lead
the Deep Blue Organ Trio (with
Chris Foreman and
Greg Rockingham). It was also where he would come full circle in meeting and working with
Charles Earland, another newly transplanted Chicago resident. Together they recorded
Front Burner and
Third Degree Burn. Just before his untimely death in 1999,
Earland had planned to form a trio with
Broom and drummer
Rockingham. During the '90s
Broom collaborated with
Dr. John, touring and making recordings, including
Duke Elegant, which he co-produced.
Over the years
Broom also became active in jazz education, beginning in 1982 when he taught for
Jackie McLean's jazz program at the University of Hartford. He completed graduate work in jazz pedagogy at Northwestern University in 2005, and teaches at DePaul University. Also in 2005, after 20 years,
Broom resumed work with his old boss and mentor
Sonny Rollins.
Bobby Broom's notable recordings include
No Hype Blues (1995),
Waitin' and Waitin' (1997),
Modern Man and
Stand! (both 2001), and
the Deep Blue Organ Trio's
Deep Blue Bruise and
Goin' to Town.
–
Greg Prato & Sean Westergaard, Rovi